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Designed to commemorate the courage of the designer's mother, a bright, articulate woman whose first awareness of the onset of dementia was when she began to lose track of words beginning with the letter C, of which chrysanthemum was the first.
The design demonstrates the remarkable illusion of light and shadow that can be achieved in crewel embroidery.
The chrysanthemum, with its clustered petals, is an excellent subject for approaching complicated florals.
Worked on Legacy Plantation Linen in 13 shades of Appleton Brothers crewel yarn and took approximately 40 hours to complete
The single blossom was pulled from a larger original design and adapted for use as a project for a class teaching methods of achieving shadow and highlight in crewel.
Borrowing upon Chinese silk embroidery, but retaining the graceful stitching style of crewel, the design demonstrates that wool embroidery can indeed achieve a level of shimmering drama, even in a small work.
Worked on Legacy Plantation Linen in 14 shades of Appleton Brothers crewel yarn and took approximately 22 hours to complete.
Adapted from one of the designer's original wallpaper patterns to create an embroidery intended to upholster the back of a small loveseat, but was framed upon completion instead.
A dramatic example of Anglo-Persian style, it combines motifs at home in shimmering. jewel-toned carpets with a sinuous, elegant line that pays homage to the magical gardens blossoming in the bare warp and woof threads of the ancient rug weavers' looms.
Worked on Legacy Plantation Linen in 22 shades of Appleton Brothers crewel yarn.
A simple but effective sampler designed specifically to hone my stitching skills after years of absence from the craft, and later used to introduce others to crewel in classes and demonstrations.
The sampler is in the traditional Jacobean style and celebrates the English Oak as a symbol of strength and renewal.
Worked on Legacy Plantation Linen in 15 shades of Appleton Brothers crewel yarn.
Designed as a reminder of a jewel-box of a cottage where the rain is soft and slow through the long-leaf pines, the white sand of the lanes is powder between one's naked toes, the orchids glow in the greenhouse windows at dusk, and the stillness is broken only the whippoorwill's mournful call.
Worked on Legacy Plantation Linen in 13 shades of Appleton Brothers crewel yarn and took approximately 28 hours to complete.
THE OAKS OF WOODLAWN
Image Size: 14-1/2" x 14-1/2"
BLUE WILLOW I
Image Size: 11-1/8" x 7-1/8"
Worked on Crewel Work Company linen twill in 5 shades of Appleton Brothers crewel yarn and took approximately 89 hours to complete.
The Royal Persian Blossom was inspired by a photo in The Royal School of Needlework Embroidery Techniques of a single motif illustrating the work of a particular needleartist. The technical skill with which the motif was worked was utterly breathtaking, but the color palette resonated even more strongly with me.
The resulting floral design in that palette is in the High Persian style with a succulent blossom growing from a sinuous stem with secondary leaves and bud. Drawing upon the vibrant vocabulary of Persian floral motifs common to ancient carpets, tiles, and porcelain, the design offers the needleartist an excellent opportunity to explore a variety of crewel techniques.
Worked on Crewel Work Company linen twill in 20 shades of Appleton Brothers crewel yarn and took approximately 70 hours to complete.
La Rose Porcelaine Spray was inspired by an intricate carved border of an antique Chinese rosewood table, the monochrome carving on a cinnabar box, and the lyrical feel of fine 18th c. Anglo-Chinese porcelain.
One blossom is rendered in realistic detail, but the other is merely suggested in imitation of the minimmal hatching employed to imply depth and shadow in the woodcarving.
The design affords the needleartist a lovely opportunity to explore the dramatic possibilities of the crewel soft shading technique.
Worked on Legacy Plantation Linen in 8 shades of Appleton Brothers crewel yarn and took approximately 34 hours to complete.
This work came about as an urge to "fix" a rather turgid and heavy art nouveau woodcut in which there was hiding a much more graceful design just crying out to be released and transformed into a delicate floral that appeared to move lightly in the breeze.
Worked on Legacy Plantation Linen in 15 shades of Appleton Brothers crewel yarn and took approximately 54 hours to complete.
The Dusk Sunflower is an attempt to capture the top heavy, late summer weight of the magnificent Russian sunflower blossom with its grace and complexity. Special attention was given to the play of light on the layers of petals.
Worked on Legacy Plantation Linen in 17 shades of Appleton Brothers crewel yarn and took approximately 85 hours to complete.
Image Size: 14-3/8" x 11-7/16"
Paradiso I is the first of a series of three Persian-style blossoms and a pomegranate, for those who cannot have enough pomegranates, all worked in more contemporary palettes. The foundation drawings are full of movement, lending a lightness and modernity to a venerable motif. A study in heightened relief, the various motifs are padded and worked with stitches chosen to provide a diversity of textures.
Worked on Crewel Work Company linen twill in 8 shades of Appleton Brothers crewel yarn and took approximately 57 hours to complete.
Kashan was inspired by a small 11th century, hexagonal, blue on white ceramic tile seen many years ago in a dusty glass museum case in Granada. Chipped and cracked, the simple brush strokes had such a joy about them, and the asymmetrical take on the traditional Tree of Life design was exciting and fresh.
The sketch I made lodged in a sketchbook for years. I knew the palette immediately--blood reds and deep pinks of the poppies and wild tulips that bloom in the mountain fastnesses of Afghanistan, Pakistan, Iraq, and the Hindu Kush. Finally, I settled on the size--small like the original--and everything clicked. I finally achieved a work that I felt would perhaps win a smile of recognition from the original artisan across the centuries.
Worked on Crewel Work Company linen twill in 15 hades of Cascade House Shaded crewel yarn and took approximately 62 hours to complete.
A suite of three related works comprising an interpretive study of elements of Wedgewood's iconic "Blue Willow" porcelain pattern. The point of the exercise was to select an array of stitches that would capture the textures implied by the original design. Lazy daisy worked very well for the willow leaves; buttonhole and blanket stitches added dimension to the cypress and birds' wings, tight French knots formed the hummocks from which the trees grow; chain stitches suggested the water surface, and blanket stitch and buttonhole simulated birds' feathers. The decorative base of the trees and the border of the bird piece suggests the traditional Chinese pattern used in around the edges and rims of the porcelain.
The three pieces of the Blue Willow Suite are worked on Crewel Work Company linen twill in between 5 and 7 shades of Appleton Brothers crewel yarn.
A single blossom plucked from a much larger design done years ago that was stillborn until it found its proper expression in a small crewel piece. It captures the delicacy of the fragrant plants blooming in the shady dimness beneath the cypresses in the cool of the early spring evening.
Worked on Legacy Plantation Linen in 17 shades of Appleton Brothers crewel yarn and took approximately 42 hours to complete.
The first of two samplers designed to brush up on the crewel stitch vocabulary and regain manual dexterity after years of absence from the art, and later used as a class piece to introduce students to the crewel stitch vocabulary and familiarize them with two enduring traditional crewel motifs: the Tree of Life and the pomegranate, symbolic of health, good fortune, and fertility.
Worked on Legacy Plantation Linen in 21 shades of Appleton Brothers crewel yarn.
La Serenissima is the result of an exercise in exploiting the flexibility of crewel to suggest sweeping movement and memories of Venice inspired by an exquisite little oil painting of three fishing boats making their way into the mouth of the Grand Canal at sunset that hangs in my bedroom.
The voluptuous blossom, padded at the edges for dramatic relief, utilizes soft shading to produce the painterly movement of color along the petals, capturing the gilded pinks of the clouds, while the leaves hint of the twilight shadows to come and the darkening sea. The sinuous curves speak to the fluid Arabic line that is Venice's legacy of the Ottoman Empire.
Worked on Crewel Work Company linen twill in 31 shades of Heathway crewel yarn and took approximately 159 hours to complete.
The Oaks of Woodlawn was designed to celebrate the surviving magnificent 200-year-old oaks of Woodlawn Plantation in Alexandria, Virginia, which have always seemed like an enclave of wise elders, with their weathered beauty and the abiding peace and serenity provided by their shade.
The design provides the needleworker opportunity to contrast exuberant trellis and couching with realistic soft shading to great effect.
Worked on Legacy Plantation Linen in 41 shades of Appleton Brothers crewel yarn and took approximately 200 hours to complete.
LA ROSE PORCELAINE BLOSSOMS
Image Size: 10-3/8" x 10-3/4"
THE ROYAL PERSIAN BLOSSOM
Image Size: 12" x 13-5/6"
THE PERSIAN BLOSSOM BOUQUET
Image Size: 15" x 12-3/4"
A MUM FOR ETHELENE
Image Size: 8-7/8" x 7-1/4"
GLORIOUS MORNING GLORIES
Image Size: 11" x 13-3/4"
POMEGRANATE TREE SAMPLER
Image Size: 7-3/4" x 10"
Image Size: 7-1/8" x 6-3/8"
SPRING PEONY BLOSSOM
Image Size: 5-1/2 x 5-1/4"
Image Size: 5-3/16" x 5-7/8"
Image Size: 7-1/2" x 12-1/2"
Image Size: 6-5/8" x 8-1/4"
THE BLUE WILLOW SUITE
BLUE WILLOW II
Image Size: 10-1/2" x 12-1/2"
Worked on Crewel Work Company linen twill in 5 shades of Appleton Brothers crewel yarn and took approximately 38 hours to complete.
BLUE WILLOW III
Image Size: 7-1/8" x 11-1/8"
Worked on Crewel Work Company linen twill in 5 shades of Appleton Brothers crewel yarn and took approximately 45 hours to complete.
Image Size: 8-5/8" x 6-3/4"
Image Size: 8-5/16" X 9-3/16"
A sampling of award-winning
T A L L I A F E R R O original
Crewel, as with other art forms, is infused with the
creator's thoughts and emotions, from the time the
idea first occurs and throughout the work bringing
it to fruition.
These form the story behind a work and needleartists are
particularly given to relating these stories to each other while viewing the work so here, in that tradition, the stories of the T A L L I A F E R R O works are included here.